Capella Monacensis, Kurt Weinhöppel - Musik Der Gotik Und Der Renaissance (LP, Album)

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Label:
Calig
Cat #:
CAL 30451
Country:
Germany
Year:
1977
Format:
1 x Vinyl ( LP , Album )
Genres:
Classical
Styles:
Renaissance, Religious, Medieval

Condition

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Tracklist

Position:
Title:
Duration
 
Geistliche Musik- Wandel Und Entwicklung 
A1 
Laetabundus 
2:30 Min
A2 
Haec Dies 
2:05 Min
A3 
Viderunt 
2:00 Min
A4 
Sanctus Aus "Messe De Nostre Dame" 
2:35 Min
A5 
Gymel 
1:20 Min
A6 
Gloria 
2:30 Min
A7 
In Te Domini 
2:55 Min
A8 
Totenklage 
3:50 Min
A9 
Lullaby 
1:50 Min
A10 
Myrabile Mysterium 
3:00 Min
 
Weltliche Musik- Nationale BeitrC$ge 
B1 
Istampita Ghaetta 
2:30 Min
B2 
Gran Piant' Agli Occhi 
3:25 Min
B3 
Doppelmotette 
2:50 Min
B4 
Greiner, Zanker 
2:50 Min
B5 
Greiner, Zanker 
B6 
Ic Draghe De Mutse Clutse 
1:40 Min
B7 
Le Chant D'oyseaux 
5:30 Min
B8 
Basse Danse 
1:20 Min
B9 
Prado Verde 
1:35 Min
B10 
EspaC1oleta Y Paso Y Medio 
2:20 Min

Comments [?]

+insert

Information

Comes with printed insert.

The track listing on the cover registers details (in German) about country of origin, epoch, date, instruments etc.:
A1 Sequenz, "Laetabundus", Frühgotische Epoche, einstimmig, Vokalensemble, 11. Jahrh., Frankreich
A2 Organum "Haec Dies", Hochgotische Epoche, zweistimmig, Flöte mit Instrumentalbegleitung, 12. Jahrh., Frankreich
A3 Organum "Viderunt", Hochgotische Epoche, vierstimmig, Vokal- und Instrumentalensemble, 13. Jahrh., Frankreich
A4 Messe De Nostre Dame "Sanctus", Spätgotische Epoche, vierstimmig, Vokal- und Instrumentalensemble, ca. 1300–1277, Frankreich"
A5 Gymel "Englischer Zwillingsgesang", Frühe Renaissance, dreistimmig, Zupfinstrumente, 15. Jahrh. Italien
A6 Messe "Gloria", Frühe Renaissance, vierstimmig, Sopran und Instrumentalensemble, ca. 1400–1475, Burgund
A7 Frottola "In Te Domini", Hoch-Renaissance, vierstimmig, Vokal- und Instrumentalensemble, ca. 1440–1521
A8 Totenklage: 1. Teil, "Quis Dabit Capiti", Hoch-Renaissance, vierstimmig, Vokal- und Instrumentalensemble
- 2. Teil, "Laurus Impetu Fulminis", dreistimmig, Bass und Instrumentalensemble, ca. 1450–1517, Niederlande
A9 Madrigal "Lullaby", Spät-Renaissance, fünfstimmig,, Sopran, Alt und Instrumentalensemble, ca. 1543–1623, England
A10 Festmotette "Myrabile Mysterium", Spät-Renaissance, fünfstimmig, Vokal- und Instrumentalensemble, ca. 1550–1591, Deutschland

B1 Italien: Istampitaghaetta-Trotto, einstimmig, Instrumentalensemble, 14. Jahrh.
B2 Italien: Ballata "Gran Piant' Agli Occhi", dreistimmig, Alt, Tenor und Instrumentalensemble, ca. 1325–1397
B3 Frankreich: Doppelmotette: 1. Stimme: Douce Playsence... 2. Stimme: Garison Selon Nature... 3. Stimme" Instrumental, dreistimmig, Sopran, Alt und Instrumentalensemble, ca. 1291–1361
B4 Deutschland: Spottlied "Greiner, Zanker, Wie Gefelt Er Das?" Fünfstimmig, Instrumentalensemble, ca. 1444–1527 (Zusammen mit nachfolgendem Lied)
B5 Deutschland: Spottlied "Greiner, Zanker, Wie Gefelt Er Das?" Dreistimmig, Alt, Tenor, Basse und Instrumentalensemble, ca. 1459–1537
B6 Niederlande: Instrumentalstück "Ic Draghe De Mutse Clutse", vierstimmig, Krummhornensemble, ca. 1450–1505
B7 Niederlande: Programm-Chanson "Le Chant D'oyseaux", dreistimmig, Vokal- und Instrumentalensemble, ca. 1500–1556
B8 Niederlande: Basse Danse, vierstimmig, Instrumentalensemble, 15. Jahrh.
B9 Spanien: Cancion "Prado Verde", vierstimmig, Vokalensemble, ca. 1527–1599
B10 Spanien: Españoleta Y Paso Y Medio, Monodisch-Akkordisch, Instrumentalensemble, 16. Jahrh.

Labels

  • Calig

Barcode s

  • LC 1149 - Label Code
  • GEMA - Rights Society

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